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</style><table class="infobox vcard plainlist"><tbody><tr><th colspan="2" class="infobox-above" style="color: #202122;background-color: #b0c4de; font-size: 125%;"><div class="fn org">Shellac</div></th></tr><tr><td colspan="2" class="infobox-image"><span typeof="mw:File"></span><div class="infobox-caption">Shellac in <a href="Shibuya" title="Shibuya">Shibuya</a>, Japan, 1993. Front to back: Weston, Albini, Trainer</div></td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de">Background information</th></tr><tr><th scope="row" class="infobox-label">Origin</th><td class="infobox-data"><a href="Chicago%2C_Illinois" class="mw-redirect" title="Chicago, Illinois">Chicago, Illinois</a>, U.S.</td></tr><tr><th scope="row" class="infobox-label">Genres</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1129693374">
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</style><div class="hlist">
<ul><li><a href="Post-hardcore" title="Post-hardcore">Post-hardcore</a></li>
<li><a href="Noise_rock" title="Noise rock">noise rock</a></li>
<li><a href="Math_rock" title="Math rock">math rock</a></li></ul>
</div></td></tr><tr><th scope="row" class="infobox-label">Works</th><td class="infobox-data"><a href="Shellac_discography" title="Shellac discography">Shellac discography</a></td></tr><tr><th scope="row" class="infobox-label"><span class="nowrap">Years active</span></th><td class="infobox-data">1992–2024</td></tr><tr><th scope="row" class="infobox-label">Labels</th><td class="infobox-data"><div class="hlist">
<ul><li><a href="Touch_and_Go_Records" title="Touch and Go Records">Touch and Go</a></li>
<li><a href="Drag_City_(record_label)" title="Drag City (record label)">Drag City</a></li>
<li><a href="Skin_Graft_Records" title="Skin Graft Records">Skin Graft</a></li></ul>
</div></td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de"></th></tr><tr><th scope="row" class="infobox-label"><span class="nowrap">Past members</span></th><td class="infobox-data">
<ul><li><a href="Steve_Albini" title="Steve Albini">Steve Albini</a></li>
<li><a href="Todd_Trainer" title="Todd Trainer">Todd Trainer</a></li>
<li><a href="Bob_Weston" title="Bob Weston">Bob Weston</a></li></ul>
</td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de"></th></tr><tr><th scope="row" class="infobox-label">Website</th><td class="infobox-data"><a rel="nofollow" class="external text" href="https://www.touchandgorecords.com/bands/band.php?id=22">touchandgorecords.com/bands/band.php?id=22</a></td></tr></tbody></table>
<p><b>Shellac</b> was an American <a href="Noise_rock" title="Noise rock">noise rock</a> band from <a href="Chicago" title="Chicago">Chicago</a>, <a href="Illinois" title="Illinois">Illinois</a>, formed in 1992 by <a href="Steve_Albini" title="Steve Albini">Steve Albini</a> (guitar and vocals), <a href="Bob_Weston" title="Bob Weston">Bob Weston</a> (bass guitar and vocals) and <a href="Todd_Trainer" title="Todd Trainer">Todd Trainer</a> (drums and vocals). Their lineup remained consistent until Albini's death in May 2024.
</p><p>They have been classified as <a href="Post-hardcore" title="Post-hardcore">post-hardcore</a><sup id="cite_ref-TopArtistsAllmusic_1-0" class="reference"><a href="#cite_note-TopArtistsAllmusic-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-treblezine_2-0" class="reference"><a href="#cite_note-treblezine-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> and <a href="Math_rock" title="Math rock">math rock</a>, but described themselves as a "<a href="Minimal_music" title="Minimal music">minimalist</a> <a href="Rock_music" title="Rock music">rock</a> trio."<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup>
</p>
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<div class="mw-heading mw-heading2"><h2 id="Biography">Biography</h2></div>
<p>Shellac formed in <a href="Chicago%2C_Illinois" class="mw-redirect" title="Chicago, Illinois">Chicago</a>, <a href="Illinois" title="Illinois">Illinois</a>, in 1992 as an informal collaboration between guitarist <a href="Steve_Albini" title="Steve Albini">Steve Albini</a> of noise rock trios <a href="Big_Black" title="Big Black">Big Black</a> and <a href="Rapeman" title="Rapeman">Rapeman</a>, and drummer <a href="Todd_Trainer" title="Todd Trainer">Todd Trainer</a> from the band <a href="Breaking_Circus" title="Breaking Circus">Breaking Circus</a> and solo project <a href="Brick_Layer_Cake" class="mw-redirect" title="Brick Layer Cake">Brick Layer Cake</a>. Former <a href="Naked_Raygun" title="Naked Raygun">Naked Raygun</a> bassist Camilo Gonzalez sat in on early rehearsals and played on one song on Shellac's first single before <a href="Volcano_Suns" title="Volcano Suns">Volcano Suns</a> bassist Bob Weston joined as a permanent member. Both Weston and Albini were <a href="Recording_engineer" class="mw-redirect" title="Recording engineer">recording engineers</a>. They preferred a sparse, analog recording sound with little or no overdubbing, and were meticulous about microphone placement and choice of equipment.
</p><p>Shellac had a distinctive, minimalist sound based on asymmetric <a href="Time_signature" title="Time signature">time signatures</a>, repetitive rhythms, an angular guitar sound, and both Albini's and Weston's surreal, bitingly <a href="Sarcasm" title="Sarcasm">sarcastic lyrics</a>. Songs typically do not have traditional <a href="Verse%E2%80%93chorus_form" title="Verse–chorus form">verse/chorus/verse</a> structure and the arrangements were sparse, to the point where some described them as "amelodic". Shellac's signature sound was often associated with their enthusiasm for vintage <a href="Travis_Bean" title="Travis Bean">Travis Bean</a> guitars, a rare brand of <a href="Aluminium" title="Aluminium">aluminium</a>-necked instruments, and the Interfax "Harmonic Percolator" <a href="Distortion" title="Distortion">distortion pedal</a>. Albini was known to use copper plectrums and typically wrapped his guitar strap around his waist rather than over his shoulder. The band preferred the intimacy of smaller clubs and live appearances were sporadic.
</p>

<p>Mid-set in many live performances, Shellac took the time for one or more "question and answer" sessions, where members of the band responded in an off-the-cuff and, at times, jocular manner to questions shouted out by fans and <a href="Heckler" title="Heckler">hecklers</a> alike. The band made an early decision to not play at festivals, and this position was articulated to <a href="All_Tomorrow's_Parties_(music_festival)" class="mw-redirect" title="All Tomorrow's Parties (music festival)">All Tomorrow's Parties</a> (ATP) festival organizer Barry Hogan during the preparation stage of the inaugural ATP event. However, Scottish band <a href="Mogwai" title="Mogwai">Mogwai</a>, curating the festival, convinced Albini to perform: "[ATP] completely changed the festival game. Now the whole world has to operate under the knowledge that there are these cool, curated festivals where everyone is treated well and the experience is a generally pleasant one."<sup id="cite_ref-GQ-2010_4-0" class="reference"><a href="#cite_note-GQ-2010-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> In 2002, the band curated the All Tomorrow's Parties festival in <a href="Camber_Sands" title="Camber Sands">Camber Sands</a>, England. Knowing that most of the audience had come specifically to see Shellac, the band went on first every morning as an incentive for the festival-goers to be up in time to see the other acts. A CD of tracks from the bands performing at the festival was released on <a href="ATP_Recordings" title="ATP Recordings">ATP Records</a>.
</p><p>To celebrate their 20th anniversary as a band, Shellac returned to ATP to curate once more in December 2012 with the line-up including <a href="Wire_(band)" title="Wire (band)">Wire</a>, <a href="Scrawl" title="Scrawl">Scrawl</a>, <a href="Mission_Of_Burma" class="mw-redirect" title="Mission Of Burma">Mission Of Burma</a>, <a href="The_Ex_(band)" title="The Ex (band)">the Ex</a> + Brass Unbound, <a href="Red_Fang" title="Red Fang">Red Fang</a>, <a href="Shannon_Wright" title="Shannon Wright">Shannon Wright</a>, <a href="The_Membranes" title="The Membranes">the Membranes</a>, Alix, Bear Claw, <a href="Helen_Money" class="mw-redirect" title="Helen Money">Helen Money</a>, <a href="Dead_Rider" title="Dead Rider">Dead Rider</a>, <a href="Arcwelder" title="Arcwelder">Arcwelder</a>, <a href="Neurosis_(band)" title="Neurosis (band)">Neurosis</a>, <a href="Mono_(Japanese_band)" title="Mono (Japanese band)">Mono</a>, <a href="Melt_Banana" class="mw-redirect" title="Melt Banana">Melt Banana</a>, <a href="Uzeda" title="Uzeda">Uzeda</a>, <a href="Prinzhorn_Dance_School" title="Prinzhorn Dance School">Prinzhorn Dance School</a>, Three Second Kiss, <a href="Buke_and_Gase" title="Buke and Gase">Buke and Gase</a>, <a href="Oxbow_(band)" title="Oxbow (band)">Oxbow</a>, <a href="Nina_Nastasia" title="Nina Nastasia">Nina Nastasia</a>, <a href="Zeni_Geva" title="Zeni Geva">Zeni Geva</a>, <a href="Bottomless_Pit_(band)" title="Bottomless Pit (band)">Bottomless Pit</a>, Pinebender, STNNNG and more.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup>
</p><p><a href="Touch_and_Go_Records" title="Touch and Go Records">Touch and Go Records</a> released the bulk of Shellac’s material, starting with a couple of singles in 1993 and the band’s debut album <i><a href="At_Action_Park" title="At Action Park">At Action Park</a></i> in 1994. Because of Albini and Weston’s full-time careers as audio engineers, Shellac would record their music gradually over the following decades, releasing the albums <i><a href="Terraform_(Shellac_album)" title="Terraform (Shellac album)">Terraform</a></i> in 1998, <i><a href="1000_Hurts" title="1000 Hurts">1000 Hurts</a></i> in 2000, and <i><a href="Excellent_Italian_Greyhound" title="Excellent Italian Greyhound">Excellent Italian Greyhound</a></i> in 2007. In 2014, despite the considerable downsizing that Touch and Go had undergone,<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> the band's fifth LP, <i><a href="Dude_Incredible" title="Dude Incredible">Dude Incredible</a></i>, was released.<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> <a href="Steve_Albini" title="Steve Albini">Steve Albini</a> went over each song on the album with Exclaim magazine.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup>
</p><p>A collection of the band's two <a href="Peel_Sessions" class="mw-redirect" title="Peel Sessions">Peel Sessions</a> from 1994 and 2004, entitled <i><a href="The_End_of_Radio" title="The End of Radio">The End of Radio</a></i> was released on June 14, 2019.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup>
</p><p>On March 20, 2024, the band announced a new record called <i><a href="To_All_Trains" title="To All Trains">To All Trains</a></i>, to be released on May 17 via Touch and Go Records.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> On May 7, 2024, Albini died of a heart attack in his Chicago home, ten days before the scheduled release of <i>To All Trains</i>.<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup>
</p>
<div class="mw-heading mw-heading2"><h2 id="Legacy">Legacy</h2></div>

<p>Writing for <a href="Drowned_in_Sound" title="Drowned in Sound">Drowned in Sound</a>, Benjamin Bland said that, "<a href="Big_Black" title="Big Black">Big Black</a> and Shellac are surely the two most influential '<a href="Noise_rock" title="Noise rock">noise rock</a>' groups there have ever been. Hundreds of bands have sounded like them, and in all probability so will hundreds more. Who can blame them? When a shadow that large looms over an entire subgenre of music, it’s hard not to be influenced by it, let alone ignore it altogether."<sup id="cite_ref-des_19-0" class="reference"><a href="#cite_note-des-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup>
</p><p><a href="John_Robb_(musician)" title="John Robb (musician)">John Robb</a>, music critic and frontman of British <a href="Post-punk" title="Post-punk">post-punk</a> band the Membranes, called Shellac "the finest rock band on the planet. This is the rock band that the rest of us in our bands [...] have had to measure ourselves against and if we are found wanting then we have to cower behind rocks and attempt to revive our measly offerings until they measure up."<sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> Vish Khanna expanded on their influence, noting that "[t]he band's sense of empathy, great storytelling, interpersonal politics and black humour are not necessarily uncommon in post-punk noise-rock bands, but Shellac's path is likely the most distinctive and emulated one."<sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup>
</p><p>Christian Lembach of <a href="Whores_(band)" title="Whores (band)">Whores</a> called <i>At Action Park</i> his favorite <a href="Noise_rock" title="Noise rock">noise rock</a> album of all time.<sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> Mike Sullivan of <a href="Russian_Circles" title="Russian Circles">Russian Circles</a> cited the album as a major influence on his guitar-playing, noting that it "literally changed the way [he] looked at music".<sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> The band has also been cited as an influence by <a href="Future_Of_The_Left" class="mw-redirect" title="Future Of The Left">Future Of The Left</a> (who have been described with the moniker "<a href="Poundland" title="Poundland">Poundland</a> Shellac"),<sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> <a href="Kurt_Ballou" title="Kurt Ballou">Kurt Ballou</a> of <a href="Converge_(band)" title="Converge (band)">Converge</a>,<sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> <a href="Mono_(Japanese_band)" title="Mono (Japanese band)">Mono</a>,<sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> <a href="Swing_Kids_(band)" title="Swing Kids (band)">Swing Kids</a>,<sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> <a href="Karin_Dreijer" title="Karin Dreijer">Karin Dreijer</a> of <a href="The_Knife" title="The Knife">The Knife</a>,<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> <a href="Girl_Band_(Irish_band)" class="mw-redirect" title="Girl Band (Irish band)">Gilla Band</a>,<sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> <a href="Black_Country%2C_New_Road" title="Black Country, New Road">Black Country, New Road</a>,<sup id="cite_ref-31" class="reference"><a href="#cite_note-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> <a href="Jehnny_Beth" title="Jehnny Beth">Jehnny Beth</a> of <a href="Savages_(band)" title="Savages (band)">Savages</a>,<sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> <a href="Silverchair" title="Silverchair">Silverchair</a>,<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> <a href="My_Disco" title="My Disco">My Disco</a>,<sup id="cite_ref-34" class="reference"><a href="#cite_note-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> <a href="Gengahr" title="Gengahr">Gengahr</a>,<sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> <a href="Dredg" title="Dredg">Dredg</a>,<sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> <a href="Suicide_Dolls_(band)" title="Suicide Dolls (band)">Suicide Dolls</a>,<sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> <a href="Echo_Is_Your_Love" title="Echo Is Your Love">Echo Is Your Love</a>,<sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> <a href="The_Futureheads" title="The Futureheads">The Futureheads</a>,<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> <a href="KEN_Mode" title="KEN Mode">KEN Mode</a>,<sup id="cite_ref-des_19-1" class="reference"><a href="#cite_note-des-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> and <a href="Pile_(band)" title="Pile (band)">Pile</a>.<sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup>
</p><p>Shellac was honored with a star on the outside mural of the <a href="Minneapolis" title="Minneapolis">Minneapolis</a> nightclub <a href="First_Avenue_(nightclub)" title="First Avenue (nightclub)">First Avenue</a>,<sup id="cite_ref-FirstAveStars_41-0" class="reference"><a href="#cite_note-FirstAveStars-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> recognizing performers that have played sold-out shows or have otherwise demonstrated a major contribution to the culture at the iconic venue.<sup id="cite_ref-StarTribune2019_42-0" class="reference"><a href="#cite_note-StarTribune2019-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> Receiving a star "might be the most prestigious public honor an artist can receive in Minneapolis," according to journalist Steve Marsh.<sup id="cite_ref-MSPMag2019_43-0" class="reference"><a href="#cite_note-MSPMag2019-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup>
</p><p>Shellac were recognized as the "House Band" of the <a href="All_Tomorrow's_Parties_(festival)" title="All Tomorrow's Parties (festival)">All Tomorrow's Parties</a> (now defunct) and <a href="Primavera_Sound" title="Primavera Sound">Primavera Sound</a> festivals, which Albini saw as the exceptions to his general distaste of music festivals for exploiting the underground music scene.<sup id="cite_ref-44" class="reference"><a href="#cite_note-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-45" class="reference"><a href="#cite_note-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> In Albini's lifetime, Shellac performed at every edition of <a href="Primavera_Sound" title="Primavera Sound">Primavera Sound</a> since 2006, except for 2007. In 2018, the festival sold a shirt that read "Shellac and 249 More" in reference to its lineup.<sup id="cite_ref-46" class="reference"><a href="#cite_note-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> Following Albini's death, the festival said in a statement honoring him, "What are we going to do without you, Steve? After having welcomed them at 15 editions of the festival, it is impossible for us to imagine a Primavera Sound without him, because no band explains us better than Shellac."<sup id="cite_ref-47" class="reference"><a href="#cite_note-47"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup> During the 2024 edition of Primavera Sound, there was a listening party of <i>To All Trains</i> during Shellac's planned time slot which served as a memorial to Albini, and the festival renamed a stage for him in his honor.<sup id="cite_ref-48" class="reference"><a href="#cite_note-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup>
</p>
<div class="mw-heading mw-heading2"><h2 id="Discography">Discography</h2></div>
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</style><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="Shellac_discography" title="Shellac discography">Shellac discography</a></div>
<ul><li><i><a href="At_Action_Park" title="At Action Park">At Action Park</a></i> (1994)</li>
<li><i><a href="The_Futurist_(Shellac_album)" title="The Futurist (Shellac album)">The Futurist</a></i> (1997)</li>
<li><i><a href="Terraform_(Shellac_album)" title="Terraform (Shellac album)">Terraform</a></i> (1998)</li>
<li><i><a href="1000_Hurts" title="1000 Hurts">1000 Hurts</a></i> (2000)</li>
<li><i><a href="Excellent_Italian_Greyhound" title="Excellent Italian Greyhound">Excellent Italian Greyhound</a></i> (2007)</li>
<li><i><a href="Dude_Incredible" title="Dude Incredible">Dude Incredible</a></i> (2014)</li>
<li><i><a href="To_All_Trains" title="To All Trains">To All Trains</a></i> (2024)</li></ul>
<div class="mw-heading mw-heading2"><h2 id="References">References</h2></div>
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<li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://thequietus.com/articles/16269-shellac-dude-incredible-review">"Shellac DUDE INCREDIBLE"</a>. <i>thequietus.com</i>. September 17, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">June 15,</span> 2020</span>.</cite></span>
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<div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2></div>
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<div class="side-box-text plainlist">Wikimedia Commons has media related to <span style="font-weight: bold; font-style: italic;"><a href="https://commons.wikimedia.org/wiki/Category:Shellac_(band)" class="extiw external" title="commons:Category:Shellac (band)">Shellac (band)</a></span>.</div></div>
</div>
<ul><li><a rel="nofollow" class="external text" href="http://www.touchandgorecords.com/bands/band.php?id=22">Official (Touch &amp; Go Records) website</a></li>
<li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20030419125000/http://www.southern.com/southern/band/SHLAC/biog.html">Southern Records biography page</a></li>
<li><a rel="nofollow" class="external text" href="https://www.allmusic.com/artist/mn0000748262">Shellac</a> at <a href="AllMusic_(identifier)" class="mw-redirect" title="AllMusic (identifier)">AllMusic</a> </li>
<li><a rel="nofollow" class="external text" href="https://www.discogs.com/artist/103197">Shellac</a> discography at <a href="Discogs" title="Discogs">Discogs</a> </li>
<li><a rel="nofollow" class="external text" href="https://musicbrainz.org/artist/604f273a-d3c1-4b5b-ab83-99541f9368ea">Shellac</a> discography at <a href="MusicBrainz" title="MusicBrainz">MusicBrainz</a> </li></ul>
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</style><div id="Shellac134" class="fn org" style="font-size:114%;margin:0 4em"></div></th></tr><tr><td class="navbox-abovebelow" colspan="2"><div>
<ul><li><b><a href="Steve_Albini" title="Steve Albini">Steve Albini</a></b></li>
<li><b><a href="Bob_Weston" title="Bob Weston">Bob Weston</a></b></li>
<li><b><a href="Todd_Trainer" title="Todd Trainer">Todd Trainer</a></b></li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Albums</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="At_Action_Park" title="At Action Park">At Action Park</a></i></li>
<li><i><a href="The_Futurist_(Shellac_album)" title="The Futurist (Shellac album)">The Futurist</a></i></li>
<li><i><a href="Terraform_(Shellac_album)" title="Terraform (Shellac album)">Terraform</a></i></li>
<li><i><a href="1000_Hurts" title="1000 Hurts">1000 Hurts</a></i></li>
<li><i><a href="Excellent_Italian_Greyhound" title="Excellent Italian Greyhound">Excellent Italian Greyhound</a></i></li>
<li><i><a href="Dude_Incredible" title="Dude Incredible">Dude Incredible</a></i></li>
<li><i><a href="To_All_Trains" title="To All Trains">To All Trains</a></i></li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">EPs/Singles</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="The_Rude_Gesture%3A_A_Pictorial_History" title="The Rude Gesture: A Pictorial History">The Rude Gesture: A Pictorial History</a></i></li>
<li><i><a href="Uranus_(EP)" title="Uranus (EP)">Uranus</a></i></li>
<li><i><a href="The_Bird_Is_the_Most_Popular_Finger" title="The Bird Is the Most Popular Finger">The Bird Is the Most Popular Finger</a></i></li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Compilations</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="The_End_of_Radio" title="The End of Radio">The End of Radio</a></i></li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><a href="Shellac_discography" title="Shellac discography">Discography</a></li>
<li><a href="Big_Black" title="Big Black">Big Black</a></li>
<li><a href="Rapeman" title="Rapeman">Rapeman</a></li>
<li><a href="Rifle_Sport" title="Rifle Sport">Rifle Sport</a></li>
<li><a href="Breaking_Circus" title="Breaking Circus">Breaking Circus</a></li>
<li><a href="Flour_(band)" title="Flour (band)">Flour</a></li>
<li><a href="Volcano_Suns" title="Volcano Suns">Volcano Suns</a></li>
<li><a href="Mission_of_Burma" title="Mission of Burma">Mission of Burma</a></li></ul>
</div></td></tr></tbody></table></div>
<div class="navbox-styles"></div><div role="navigation" class="navbox navbox-musical-artist navbox-musical-artist-group" aria-labelledby="Rifle_Sport116" style="padding:3px"><table class="nowraplinks vcard hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Rifle_Sport116" class="fn org" style="font-size:114%;margin:0 4em"><a href="Rifle_Sport" title="Rifle Sport">Rifle Sport</a></div></th></tr><tr><td class="navbox-abovebelow" colspan="2"><div>
<ul><li>J. Christopher</li>
<li><a href="Todd_Trainer" title="Todd Trainer">Todd Trainer</a></li>
<li>Peter Conway</li>
<li>Gerard Jean-Boissy</li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Studio albums</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul><li><i><a href="Voice_of_Reason_(Rifle_Sport_album)" title="Voice of Reason (Rifle Sport album)">Voice of Reason</a></i> (1983)</li>
<li><i><a href="Primo_(album)" title="Primo (album)">Primo</a></i> (1991)</li></ul>
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related articles</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
<ul>
<li><a href="Reflex_Records" title="Reflex Records">Reflex Records</a></li>
<li><a href="Ruthless_Records" title="Ruthless Records">Ruthless Records</a></li></ul>
</div></td></tr></tbody></table></div>
<div class="navbox-styles"></div><div role="navigation" class="navbox authority-control" aria-labelledby="Authority_control_databases_frameless&amp;#124;text-top&amp;#124;10px&amp;#124;alt=Edit_this_at_Wikidata&amp;#124;link=https&amp;#58;//www.wikidata.org/wiki/Q1479031#identifiers&amp;#124;class=noprint&amp;#124;Edit_this_at_Wikidata800" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Authority_control_databases_frameless&amp;#124;text-top&amp;#124;10px&amp;#124;alt=Edit_this_at_Wikidata&amp;#124;link=https&amp;#58;//www.wikidata.org/wiki/Q1479031#identifiers&amp;#124;class=noprint&amp;#124;Edit_this_at_Wikidata800" style="font-size:114%;margin:0 4em">Authority control databases </div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">International</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://isni.org/isni/0000000100393180">ISNI</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/1271145857089322921890">VIAF</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/16042269-3">Germany</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/no2002017312">United States</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artists</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://musicbrainz.org/artist/604f273a-d3c1-4b5b-ab83-99541f9368ea">MusicBrainz</a></span></li></ul></div></td></tr></tbody></table></div></div><!--htdig_noindex--><div><div class="zim-footer">
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